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François Servais, Concerto en si mineur pour le Violoncelle, opus 5 Urtext Edition by Yuriy Leonovich – 2022 cello & piano – 19 + 38 p.
Servais’s B-minor Concerto consists of three movements. The outer movements are in sonata form, although the recapitulation of the first movement is truncated after the orchestral return of the first theme.
After the grand pause, the second movement, Adagio cantabile, enters with strumming strings accompanying a serenade-like melody in the cello part. The finale is a tour-de-force for the soloist. The second theme of the finale is initially presented in the subtonic key of A major, returning in B major in the recapitulation. While there is no tempo change indicated, the coda of the finale is typically taken at a slower tempo because of the increase in the surface rhythm. This coda was, arguably, influenced by Rossini and Donizetti. The motive found in the upper strings could have in turn influenced the coda of Pyotr Tchaikovsky’s Variations on a Rococo Theme. The major-minor figuration in the last few measures of the solo part is similar to the one found at the end of Servais’s Le Désir.
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931818
