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  • Musique Vocale Profane Vol.2 (Canons and Airs) (Low Voice[2 Voices][Sopr.-Counter Tenor-Bass]- (2 Vi.-Bc)
  • Musique Vocale Profane Vol.2 (Canons and Airs) (Low Voice[2 Voices][Sopr.-Counter Tenor-Bass]- (2 Vi.-Bc)

Musique Vocale Profane Vol.2 (Canons and Airs) (Low Voice[2 Voices][Sopr.-Counter Tenor-Bass]- (2 Vi.-Bc) - Jean Philippe Rameau

Score/Parts / Barenreiter

Sheet music

Musique Vocale Profane Vol.2 (Canons and Airs) (Low Voice[2 Voices][Sopr.-Counter Tenor-Bass]- (2 Vi.-Bc) Musique Vocale Profane Vol.2 (Canons and Airs) (Low Voice[2 Voices][Sopr.-Counter Tenor-Bass]- (2 Vi.-Bc) Musique Vocale Profane Vol.2 (Canons and Airs) (Low Voice[2 Voices][Sopr.-Counter Tenor-Bass]- (2 Vi.-Bc)
Musique Vocale Profane Vol.2 (Canons and Airs) (Low Voice[2 Voices][Sopr.-Counter Tenor-Bass]- (2 Vi.-Bc)

Composer(s):

Jean Philippe Rameau

Publisher(s):

Barenreiter Verlag

Publishernumber:

BA8948

Instrument(s):

Voice-Strings-Piano [Bc]

Overige informatie:

Barenreiter

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At the time when Jean-Philippe Rameau was interested in the form of the cantata, the French form of the genre tended to concentrate on mythological, p.. Read more
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Product description

At the time when Jean-Philippe Rameau was interested in the form of the cantata, the French form of the genre tended to concentrate on mythological, pastoral or allegorical themes. As a highly popular genre, the cantatas were performed by amateurs and professional musicians in concerts, private performances and on special occasions. However, in his cantatas, Rameau tried out his dramatic gifts by creating 'mini operas'. Until now, only two of the seven surviving cantatas have been available - 'Le Berger fidell e and Aquilon et Orithie'; this edition is therefore sure to guarantee great discoveries. Even though the genre of the canon played a minor role in Rameau's output, he nevertheless made some important contributions. The daring modulations in all their tonalities demonstrate how the contrapuntal dimension fascinated the composer. The four individual surviving airs were probably written as occasional pieces. In addition to a continuo accompaniment, five of the cantatas require two 'obbligato dessus' (high obbligato instrumental parts). The choice of instruments (violin and/or flute and/or oboe) is free and furthermore, the scoring can be several instruments to a part. 'L'Impatience, Les Amants trahis' and 'Orphée' are intended to have a bass viol whose function changes between a concertato and a continuo instrument. In a chamber music context, the (figured) continuo part is simply played by bass stringed instruments.

Content

  • Préface générale / General Preface
  • Introduction
  • Rôles, effectifs instrumentaux
  • Cantates:
  • 1. Les Amants trahis
  • 2. Aquilon et Orithie
  • 3. Thétis
  • Airs:
  • 4. L'Amante préoccupée
  • 5. Lucas, pour se gausser (duo bachique)
  • 6. Lucas, pour se gausser (trio bachique)
  • 7. Non, non le dieu qui sait aimer
  • 8. Un Bourbon ouvre sa carrière

Productdetail

Composer(s):

Jean Philippe Rameau

Publisher(s):

Barenreiter Verlag

Publishernumber:

BA8948

Instrument(s):

Voice-Strings-Piano [Bc]

ISBN:

Number:

196197

Overige informatie:

Barenreiter

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