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  • Complete Organ and Keyboard Works, Volume I - IV
  • Complete Organ and Keyboard Works, Volume I - IV

Complete Organ and Keyboard Works, Volume I - IV - Jan Pieterszoon Sweelinck

edited by Siegbert Rampe

Sheet music

Complete Organ and Keyboard Works, Volume I-IV SweelinckComplete Organ and Keyboard Works, Volume I - IV (edited by Siegbert Rampe) SweelinckComplete Organ and Keyboard Works, Volume I - IV (edited by Siegbert Rampe) SweelinckComplete Organ and Keyboard Works, Volume I - IV (edited by Siegbert Rampe) SweelinckComplete Organ and Keyboard Works, Volume I - IV (edited by Siegbert Rampe) SweelinckComplete Organ and Keyboard Works, Volume I - IV (edited by Siegbert Rampe) SweelinckComplete Organ and Keyboard Works, Volume I - IV (edited by Siegbert Rampe) SweelinckComplete Organ and Keyboard Works, Volume I - IV (edited by Siegbert Rampe) SweelinckComplete Organ and Keyboard Works, Volume I - IV (edited by Siegbert Rampe)
Complete Organ and Keyboard Works, Volume I-IV

Composer(s):

Jan Pieterszoon Sweelinck

Publisher(s):

Barenreiter Verlag

Publishernumber:

BA08500

Instrument(s):

Harpsichord

Organ/Harpsichord

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The central importance of Jan Pieterszoon Sweelinck (1562–1621) for Baroque keyboard music can hardly be overestimated. Siegbert Rampe’s s.. Read more
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Product description

The central importance of Jan Pieterszoon Sweelinck (1562–1621) for Baroque keyboard music can hardly be overestimated. Siegbert Rampe’s scholarly performing edition is the first edition of Sweelinck’s complete keyboard works which differentiates between works of certain authenticity, works of uncertain authenticity and doubtful works. The eight volume edition, complete with commentaries in German and English, reflects the latest state of scholarly research.

Volume II.2 completes the publication of the Urtext edition. Volumes II.1 and 2 include all 22 fantasias and echo fantasias which have survived under Sweelinck’s name or are attributed to him, four ricercari and a capriccio. The appendix contains four further fantasias. In addition, several compositions are published for the first time in different, presumably original versions.

 Definitive complete Urtext edition
- Detailed forewords (Ger/Eng) on the structure of the works and editorial technique
- With tips on instrumentation and performance practice
- Notes on ornamentation

Content

  • Works, Volume I.1: Toccatas (Part 1)
  • BA 8473
  • Toccata Primi Toni in d
  • Toccata de P. ° tono in d
  • Fuga decima in d
  • Toccata 2di toni in g
  • Toccata 2di Toni in g
  • Toccata 2di Toni. (Fragment) in g
  • Toccata in G
  • Toccata a 3. in G
  • Toccata 9. Toni in a
  • Toccata del Nono tono in a
  • Fuga vndecima in a
  • Toccata in a
  • Praeludium Toccata in a
  • Toccata in a Toc (cata): 4Ti: Ton (i): in a
  • Kritischer Bericht
  • Works, Volume I.2: Toccatas (Part 2)
  • BA 8474
  • Toccata. â 4. Voci in a
  • Quarti toni Fantasia in a
  • Toccata in C
  • Fantazie in C
  • Tocata in C
  • Toccata in C
  • Toccata 5 toni in C
  • Toccata in d
  • Tocata in g
  • Toccata primi tonj in d
  • Toccata a. 3. in F
  • Toccata in G
  • Toccata in G
  • Fantasia D
  • Fantasia D
  • Praeambulum C
  • Kritischer Bericht
  • Works, Volume II.1: Polyphonic Works (Part 1)
  • BA 8475
  • Vorwort
  • Dispositionen
  • Faksimilia
  • Fantasien gesicherter Authentizität
  • Echofantasien gesicherter Authentizität·
  • Zugeschriebene Echofantasien
  • Echofantasie zweifelhafter Echtheit
  • Anhang
  • Works, Volume II.2: Polyphonic Works (Part 2)
  • BA 8476
  • Faksimilia / FacsimilesOrgan, Harpsichord, Piano·
  • Vorwort / Preface
  • ·
  • Composer / Author:
  • Sweelinck, Jan Pieterszoon
  • Fantasia à 4. G-Dur
  • Instrumentation:
  • Orgel, Cembalo, Klavier
  • ·
  • Composer / Author:
  • Sweelinck, Jan Pieterszoon
  • Phantasia à 4. a-Moll
  • Instrumentation:
  • Orgel, Cembalo, Klavier
  • Ricercar del Nono tono a-Moll
  • Fantasia G-Dur
  • Fantasia d-Moll
  • Ricercar d-Moll
  • Ricercar. d-Moll
  • Fuga 7. toni G-Dur
  • Capricio a-Moll
  • Phantasia Ut sol fa mi. C-Dur
  • Fantasia C-Dur
  • Fantasia A 4 F-Dur
  • Fantasia A. 2: 3: et 4 Vocum a-Moll
  • Kritischer Bericht / Critical Commentary
  • Works of Certain Authenticity:
  • Works of Uncertain Authorship:
  • Attributed Works:
  • Complete Organ and Keyboard Works, Volume III.1: Choral Settings (Part 1)
  • BA 8485
  • Allein Gott in der Höh' sey Ehr in F
  • Allein Zu dir Herr Jesu Christ manualiter in a
  • Christe qui lux es et dies in g
  • Da pacem Domine in diebus nostris in g
  • Erbarm dich mein o Herre Gott in e
  • Ich ruff zu dir Herr Jesu Christ in d
  • Nu freuet euch lieben Christen gemein in G
  • Psalm 36 in F
  • psalm 116 in G
  • Psalme in C
  • Dei 10 Gebott Gottes in C
  • Kritischer Bericht
  • Complete Organ and Keyboard Works, Volume III.2: Choral Settings (Part 2)
  • BA 8486
  • Vorwort
  • Quellen
  • Editionstechnik und Aufführungspraxis
  • Bemerkungen zu den Werken
  • Preface
  • Sources
  • Editorial Method and Performance Practice
  • Commentary on the Works
  • Faksimiles / Facsimiles
  • Choralbearbeitungen gesicherter Authentizität (Teil 2) / Chorale Settings of Certain Authenticity (Part 2):
  • Puer nobis nascitur in C
  • Wir glauben all an seinen Gott. in d
  • Choralbearbeitungen ungesicherter Authentizität / Chorale Settings of Uncertain Authenticity
  • Hertzlich lieb hab ich dich o Herr in C
  • Cantic[um]: Sacr[um]: Vater unser im Himmelreich in d
  • Zugeschriebene Werke / Attributed Works:
  • Jesuß Christus unser Heiland. in d
  • O Gott du unser Vater bist in d
  • P[salm] 23. Mein hütter Undt mein hirtt in g
  • psalm 60 in C
  • Anhang I / Appendix I
  • Wie schön leucht unß der Morgenstern in F [Dirk Janszoon Sweelinck?]
  • Anhang II / Appendix II
  • Wir glauben all an einen Gott in d [Anonymous]
  • Kritischer Bericht / Critical Commentary
  • Complete Organ and Keyboard Works, Volume IV.1: Variations on Song and Dance Tunes (Part 1)
  • BA 8487
  • Vorwort
  • Quellen
  • Editionstechnik und Aufführungspraxis
  • Bemerkungen zu den Werken
  • Preface
  • Sources
  • Editorial Method and Performance Practice
  • Commentary on the Works
  • Faksimiles - Facsimiles
  • V 1 Balleth. del granduca in G
  • V 2 Esce mars. in C
  • V 3 Ich fuhr mich vber Rheinne. in a
  • V 4 Mein Junges Leben hat ein Endt in d
  • V 5 Paduana Lachrimae collorirt in a
  • V 6a Pavana Hispanica in g (J. P. Sweelinck & S. Scheidt)
  • V 6a Paduana. Hispania. in g (J. P. Sweelinck & S. Scheidt)
  • V 7 Pavan Philippi in G
  • Variationen ungesicherter Authentizität / Variations of Uncertain Authenticity
  • V 11 Allemande de chapelle in C
  • V 12 Bergamasca. in G
  • V 13 Malle Sijmen in d
  • V 14 Passomeza. a 4 Voc[i] in G
  • Kritischer Bericht - Critical Commentary
  • Complete Organ and Keyboard Works, Volume IV.2: Variations on Song and Dance Tunes (Part 2)
  • BA 8494
  • Vorwort:
  • Quellen
  • Editionstechnik und Aufführungspraxis
  • Bemerkungen zu den Werken
  • Preface:
  • Sources
  • Editorial Method and Performance Practice
  • Commentary on the Works
  • Faksimiles - Facsimiles
  • Variationen gesicherter Authentizität (Teil 2) / Variations of Certain Authenticity (Part 2):
  • V 8 Soll es sein in C
  • V 9 Unter der Linden grüne in G
  • V 10 Von der Fortuna werd ich getrieben in g (J. P. Sweelinck & S. Scheidt)
  • Zugeschriebene Werke - Attributed Works
  • V 15 Allemand. in F
  • V 16 Die flichtig Nimphae. in C
  • Anhang - Appendix
  • Die flichtig Nimphae. Altr[amente]: in C (Anonymous)
  • Niederländisch liedgen in C (Anonymous)
  • Ballet in C (Anonymous)
  • Kritischer Bericht - Critical Commentary

Productdetail

Composer(s):

Jan Pieterszoon Sweelinck

Publisher(s):

Barenreiter Verlag

Publishernumber:

BA08500

Instrument(s):

Harpsichord

Organ/Harpsichord

ISBN:

9790006539543

Number:

928221

Theme(s):

Barenreiter

Organ

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